Tom Cruise’s Mission: Impossible – Rogue Nation is out in theaters, and it dutifully fills all the boxes in the spy thriller checklist. Lifelike masks? Death-defying stunts? Car chases? Gunplay and physical combat? Glamorous locales? Check, check, checkity-pop-zoom-bam-BOOM.
One thing that stuck with me was the title; an interesting development, because action movie titles are often pretty irrelevant. They’re designed to sound intriguing-and-dangerous-but-vague, and too often come across instead as techno-gibberish. (Does anyone remember what “Ghost Protocol” referred to in the fourth M:I installment? Don’t look it up on Wikipedia, that’s cheating.)
On the contrary, a whole nation going rogue? That’s much easier to understand. The phrase picked up steam in the broader consciousness after Sarah Palin entitled her 2009 political memoir Going Rogue, reclaiming a definition of a rogue not simply as “someone who lacks judgment or principle,” but “someone who deviates from the expected norm of behavior.”
(Say what you want about Sarah Palin, but she’s amazing at deviating from expected norms.)
In Mission: Impossible – Rogue Nation, the rogues in question take the form of a nefarious collective of foreign agents called The Syndicate, all united in the pursuit of a terrorist agenda.
So with the Impossible Missions Force (IMF) shut down by Congress, super spy Ethan Hunt (Cruise) must rely on his friends, comic relief Simon Pegg as Benji, the steely-eyed Jeremy Renner as chief analyst Brant, Ving Rhames’ muscly perma-smirk as the homie Luther, and Rebecca Ferguson as mysterious femme fatale Ilsa Faust – all working together to defeat The Syndicate, and to a lesser extent, justify the IMF’s existence.