Category Archives: Uncategorized

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Be Careful How You “Deal With It,” Dame

damian-lillard

 

 

So now, it’s official.

The NBA has selected DeMarcus Cousins to take the place of the injured Kobe Bryant, which means that we can officially say that Damian Lillard, master of the step-back three, end-of-game assassin, and the object of countless internet memes, like this:

 

…has officially been snubbed from the 2015 NBA All-Star team.

 

 

For once, I agree with Kanye.

 

 

This is, according not only to Portland fans but knowledgeable pundits around the league (including TNT’s “Inside the NBA” resident curmudgeon and non-jumpshooting-team-supporter Charles Barkley) a ridiculous miscarriage of justice, deserving not only of all manner of shrill internet complaints, but in the case of the Portland police department, an actual robbery investigation.

Not to take anything away from other players, but across the blogosphere and the Twitterverse, the consensus is that Lillard well-deserving of this All-Star nod. And it’s important to remember that despite the league’s fan-based selection process, the All-Star Game is not just a popularity contest, but an important progress metric in the overall career trajectory of an NBA player. Getting snubbed for an All-Star team is like being passed-over for a well-deserved promotion at the office. And it doesn’t matter whether this happens in a small office or on the brightest stage of professional sports, people will notice.

So yes, Lillard was robbed. Among reasonable people, there is virtually no disagreement.

Where I do differ from the masses, however, is in how Lillard can, should, or will respond.

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The One Where Jelani Introduces Himself.

jelani kitteh photo 9224
I recently started writing for a publication called Off the Page, from the creators of the popular Our Daily Bread devotional series. It’s a new forum for me to start talking about my favorite examples from pop culture and to show how the Bible can be relevant to everyday life. Anyway, I thought it might be important for any new readers to get a sense of who I am if they’re new to my writing, so I wrote this piece as an introduction.

 

You know how sitcoms always have that one episode full of flashbacks?

Growing up, I always loved those to watch those episodes, mostly because they always included scenes I hadn’t seen yet. I didn’t grow up with DVRs or video on demand, so the only way I could ensure that I saw every episode of my favorite series was to make sure I was in front of the TV at the same time every week — which rarely happened. (And that was assuming my behavior was good enough to warrant TV-watching-privileges that day.)

So yeah, those clip shows were always showing me what I’d missed along the way.

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If You Love American Music, You Have Andraé Crouch to Thank

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(Editor’s Note: Yes, the title is a bit clickbaitey, but hang with me. I’ll back it up.)

 

Yesterday, Andraé Crouch slipped into eternity, present in full with the Lord, in perfect peace.

I’ve been half suspecting, half dreading that this day would come for a while now, and yet now that it has, I still feel completely unprepared — probably because it’s hard for me to imagine a musical landscape where Andraé Crouch was not still creating such soul-stirring, inventive, revolutionary music.

Part of the reason why it’s always profoundly bothered me when I hear someone make the blanket declaration that “Christian music sucks” is that it never tracked with my reality.

Because how could it? Sure, my parents played Earth Wind & Fire like any self-respecting Black people did, but my childhood musical diet consisted mostly of Christian music, from luminaries like The Winans, Walter, Edwin & Tramaine Hawkins, The Imperials, and then much later, Commissioned (then eventually as a teen and college student, Fred Hammond). But towering above them all was Andraé Crouch, a man who I would later come to realize was a musician’s musician — that is, the kind of musician that other great musicians consulted, collaborated with, and gathered around.

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How to Get Away With Character Assassination

Viola Davis Bill Cosby

It seems altogether coincidental that on that day that most of the blogosphere has been continuing to come to terms with the growing, controversial specter of truth behind the myriad rape allegations leveled against Bill Cosby — a day so full of bittersweet reverie that the term “throwback Thursday” seems so wonderfully appropriate despite such quaint understatement — that I ended it by watching the fall finale of the ABC hit drama, “How to Get Away With Murder.”

It seems that way because, well, it is, mostly, a coincidence.

I happen to like the show quite a bit, actually. I started watching mostly out of curiosity, and also because Viola Davis has been far and away the best thing in pretty much everything I’ve seen her in since The Help. And since I was also a fan of Shonda Rhimes’ second megahit “Scandal,”  and because I try to support quality black entertainment with my clicks and views, I figured I’d give it a shot.  It’s been kind of uneven, and there’s been too many tawdry sex scenes, but I am still enthralled with the central premise, which, like Snakes On A Plane, is neatly encapsulated in the title.

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Dear White People, I’mma Need You to See This Movie

DWP logo

DWP1One of the great ironies of Justin Simien’s masterful directorial debut, Dear White People, which released in theaters nationwide this last weekend, is that although it’s aimed at white people, it’s not about white people.

And just now as I was writing, I was tempted to use another, less weaponized-sounding verb, but truly, “aimed” is the right choice, because Dear White People is relentless in its depiction of white people as alternately clueless, ambivalent or calculatingly sinister regarding the racial issues on display at fictional ivy-league school Winchester University. And I mean that as a compliment.

In ways both obvious and subtle, it makes Big Important Pronouncements about race, and then uses those pronouncements both as occasional comedic sketch premises, but also as plot devices to flesh out the emotional development of its main characters, all of whom are either black or biracial. The combination of the two, the thematic heavy-handedness modulated by a playful tone of nimble vignettes with varying emotional intensity… it’s quite a balancing act to pull off, akin to performing surgery with a shotgun.

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Black-ish Is the New “Orange”

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Okay, so let me fess up, right off the top.

That is a horrible, clickbaity title, a ridiculous, derivative and obvious reference, comparing two TV shows that couldn’t be more different if one of them were set on a different planet.

But they have one thing in common, that thing that most successful TV shows manage to pull off with some level of success. They can take a specific cultural situation and make it broad and relatable enough for people outside to appreciate and understand it, and by the same token, take basic and timeless themes and filter them through the lens of a specific perspective and worldview. They make the specific general, and the general specific.

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For My Birthday, Help Me Make Facebook A Little Less Racist

uncle remus

Okay, that sounds bad. It sounds like I’m saying that Facebook is a racist place, which is bad because Facebook is filled with all manner of people, many of whom are not racist, and plus… it’s not even a place.

Although that makes me think of this R-rated Chappelle’s Show sketch imagining if the internet were a real place.

 

I’m sorry, where was I?

 

Oh, right.

 

Perhaps I should start over.

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Stop Columbusing. Lecrae Didn’t Invent Christian Rap.

Lecrae_-_Anomaly_Album_Download

Okay, so this piece may sound like I’m trying to criticize Lecrae, so before I go any further, let me offer a few disclaimers.

 

I like Lecrae.

 

I really, really like Lecrae.

 

As an artist, as a person — as far as I can tell — he seems to be the real deal.

 

I have defended him in my writing plenty of times, most recently for collaborating with — *** GASP *** — secular artists, mostly because the sacred vs. secular dichotomy is generally unhelpful and really no longer exists, anyway.

But generally, I like his music, and I think he’s taking a great approach to his music career in general, which, by all accounts is growing to incredible heights. It is not at all an exaggeration to say that Lecrae appears to be enjoying a level of critical acclaim and professional exposure that most Christian rappers can only dream about. He’s appearing in a feature film, his new album Anomaly just shot to the top of the Billboard charts, and just this very evening (it’s probably airing as I type this), Lecrae is making an appearance on The Tonight Show with Jimmy Fallon, performing his new single “All I Need Is You” with The Roots.

This is all a Really Big Deal.

However, there is a shadow side to all of this attention.

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Let’s Not Martyr White People For Speaking Honestly About Race

bruce levenson hawks owner

So it just hit the news today that businessman Bruce Levenson has voluntarily agreed to sell his ownership stake in the Atlanta Hawks in response to an internal NBA investigation over a racially insensitive email he sent to Hawks staffers in 2012 — which he voluntarily disclosed to the league office himself in July.

Now, I’ve seen and pondered a lot of different theories about this strange story. Some people think that he was being blackmailed by someone who had the email and decided to get in front of it. Some people think he saw how much money Steve Ballmer paid for the LA Clippers and voluntarily blew the whistle on himself in order to facilitate a huge payday.

Regardless of why, it’s clear that Levenson, after having stated emphatically on the record during the Sterling mess that the league needs to have a zero-tolerance policy about racial discrimination, needed to go to avoid being labeled as a hypocrite. He said so himself in his notice to league commissioner Adam Silver.

But there’s something I’m worried about, buried under the avalanche of Sterling comparisons.

I don’t believe his email was racist.

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Reconciling My Opposite Perceptions of Joel Osteen & Israel Houghton

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Life is full of irony.

For example, one of my favorite worship musicians that I respect tremendously, happens to serve the congregation of a church led by a pastor that I have very little respect for. Because they are both very prominent personalities, and because their ministries are often recontextualized for purposes that extend far beyond Lakewood Church itself, it’s easy to forget that Joel Osteen and Israel Houghton are, in a very basic sense, ministry coworkers.