Tag Archives: Christian music

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The End Is Near, Still. Yup, Still Near. Any Day Now. So … What Are We Gonna Do?

So, I grew up a music nerd.

Specifically, I grew up as a Christian music nerd, and while I know the term “Christian music” can be problematic, let the record reflect that in the beginning of this sentence, the word “Christian” is modifying “nerd,” not “music,” which means that really what I’m saying is I was a music nerd who was also a Christian.

(Lest anyone doubt my nerd credentials, I present as Exhibit A: that previous sentence.)

I listened to a lot of contemporary gospel, and to what people later in the 90s referred as “CCM” (contemporary Christian music) which means that because my parents were harbingers of diversity — or, more accurately because they were New York transplants in the Pacific Northwest and needed to retain elements of blackness in order to retain their sanity — they exposed me to the best Christian music from both white and black artists. My love for the music of Andrae Crouch is well documented, but there was plenty of Russ Taff and The Imperials, Edwin & Tramaine Hawkins, The Winans, Reba Rambo & Dony McGuire, Commissioned, Michael W. Smith, Sandy Patti, the Brooklyn Tabernacle Choir, Rev. Milton Brunson & The Thompson Community Choir… on and on.

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If You Love American Music, You Have Andraé Crouch to Thank

(Editor’s Note: Yes, the title is a bit clickbaitey, but hang with me. I’ll back it up.)

 

Yesterday, Andraé Crouch slipped into eternity, present in full with the Lord, in perfect peace.

I’ve been half suspecting, half dreading that this day would come for a while now, and yet now that it has, I still feel completely unprepared — probably because it’s hard for me to imagine a musical landscape where Andraé Crouch was not still creating such soul-stirring, inventive, revolutionary music.

Part of the reason why it’s always profoundly bothered me when I hear someone make the blanket declaration that “Christian music sucks” is that it never tracked with my reality.

Because how could it? Sure, my parents played Earth Wind & Fire like any self-respecting Black people did, but my childhood musical diet consisted mostly of Christian music, from luminaries like The Winans, Walter, Edwin & Tramaine Hawkins, The Imperials, and then much later, Commissioned (then eventually as a teen and college student, Fred Hammond). But towering above them all was Andraé Crouch, a man who I would later come to realize was a musician’s musician — that is, the kind of musician that other great musicians consulted, collaborated with, and gathered around.

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Flame & Lecrae sued Katy Perry… Wait, Really?

I hate to beat an old comedy trope to death, but in this case, I couldn’t muster any other appropriate response. I just saw the story by Robert Patrick of the St. Louis Post-Dispatch that Flame, Lecrae and Da TRUTH have filed suit against Katy Perry and Capitol Records for copyright infringement. In a stunning reversal of musical tradition, these Christian emcees are claiming that someone else took their style — specifically alleging that Perry’s 2013 single “Dark Horse” bears a more-than-coincidental resemblance to their 2008 hit “Joyful Noise.”

REALLY?!?

This lawsuit is a ridiculous embarrassment, not only for these emcees specifically, but for all of Christian hip-hop.

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The Sentient Song Fallacy — Why Christian Music Sucks

If you’ve ever wondered why it is that Christian music sucks, I have a hypothesis.

But first, I just have to say —  “The Sentient Song Fallacy” — doesn’t that sound like an episode of The Big Bang Theory? Get at me, Chuck Lorre! I’m a budding screenwriter, I do some stand-up, and I can even act a little bit. I promise I won’t go on any drunken tirades about tiger’s blood.

Anyway, here’s my definition:

The Sentient Song Fallacy is the erroneous idea that a song can be Christian.