Get Out is a taut horror thriller from Jordan Peele, famous as half of Comedy Central’s sketch comedy duo Key & Peele. In Get Out, Peele makes his debut behind the camera, directing fresh-faced Daniel Kaluuya (Black Mirror, Sicario) and Allison Williams (The Mindy Project) with his original script. But rather than comparing it to horror classics, I found it instructive to compare Get Out to another story with a relationship at its center – 2015’s film adaption of the hit musical The Last Five Years, starring Anna Kendrick and Jeremy Jordan. They’re both masterful in the way they use characters to hone a sense of perspective. And Lord knows, when it comes to racial issues, evangelicals could use a healthy dose of the black perspective.
Right now, Christena Cleveland and Keegan-Michael Key are two of my favorite people in the world. Though they operate in different disciplines and run in very different circles, they are both excellent at what they do. And I often find myself highlighting their work on social media.
Christena Cleveland, a social psychologist with a focus on overcoming racial and cultural divisions between groups, blogged recently about a phenomenon she refers to as the white male industrial complex. Adapted from an Emily Rice quote about the “ally industrial complex,” it’s her term for the ways in which Christian social justice work, like everything else in American society, tends to be oriented around the tastes, whims, and emotional climate of white men. (More on this later.)
Keegan-Michael Key is the taller, lighter-skinned half of Key & Peele, the incredibly funny sketch comedy duo on Comedy Central. And his brilliant comedy chops are the key to this, one of their most popular, sidesplitting sketches, entitled “Substitute Teacher.”